That Drifting Excrement Was Way Too Meaningful! It's the TV Letdowns of the Year.

Looking back, we reflect on the TV offerings of the recent year, a selection of series stand out not for their excellence, but for their notable shortcomings. Ranging from awkward spin-offs to confusingly poor documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Plagued with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the final season started, it seemed as if it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Still, fans undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's issues. The recipient of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The hilariously wooden writing? The mind-numbing glorification of affluence and materialism? The almost wilful parade of cliches? Performances so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any pity this series might induce should be reserved for the people who have had to endure proximity with this charming but flippant egotist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling dialects. But there were many other issues. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which seemed a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware magazine come to life; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about both Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was akin to consuming a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was far greater examination of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Loretta Smith
Loretta Smith

Eleanor is a British lifestyle journalist with a passion for exploring the quirks of UK culture and sharing insider tips.